<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Landscape on Bardo</title><link>https://bardoberlin.com/tags/landscape/</link><description>Recent content in Landscape on Bardo</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://bardoberlin.com/tags/landscape/index.xml" rel="self" type="application/rss+xml"/><item><title>Miradas a Chile / Sichtweisen auf Chile</title><link>https://bardoberlin.com/exhibitions/miradas-a-chile/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/miradas-a-chile/</guid><description>&lt;p&gt;&lt;em&gt;Miradas a Chile / Sichtweisen auf Chile&lt;/em&gt; begins with a deceptively simple question: what do we understand by landscape? Who constructs a landscape, what transforms it, and how are territories shaped not only physically but through the ways they have been observed, classified, mapped, named, and organised?&lt;/p&gt;
&lt;p&gt;Curated by Alejandra Atalah, the exhibition brings together four Chilean artistic positions in an imaginary journey across Chile. Rather than representing the country through a single image or geographical narrative, it approaches landscape as a cultural construction shaped by memory, distance, personal experience, technological mediation, and historical ways of seeing. A landscape is never entirely neutral: what is seen is conditioned by maps and borders, images and archives, political histories, systems of classification, collective narratives, and private memory.&lt;/p&gt;</description></item></channel></rss>