<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Environmental Art on Bardo</title><link>https://bardoberlin.com/tags/environmental-art/</link><description>Recent content in Environmental Art on Bardo</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://bardoberlin.com/tags/environmental-art/index.xml" rel="self" type="application/rss+xml"/><item><title>Archivum Naturae</title><link>https://bardoberlin.com/exhibitions/archivum-naturae/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/archivum-naturae/</guid><description>&lt;p&gt;&lt;em&gt;Archivum Naturae&lt;/em&gt; brings together Ana Palacio and Andrea Nosetti in a reflection on the ways living organisms are transformed into archives, images, fragments, and reproducible structures.&lt;/p&gt;
&lt;p&gt;Nature appears here not as an untouched landscape, but as a territory shaped by displacement, technological mediation, extraction, and survival. Birds from southern Latin America and digitally reproduced insects become traces of ecosystems under pressure, suspended between preservation and disappearance.&lt;/p&gt;
&lt;h2 id="two-approaches-to-the-natural-archive"&gt;Two approaches to the natural archive&lt;/h2&gt;
&lt;p&gt;In her series &lt;em&gt;YAJNA&lt;/em&gt;, Ana Palacio works with images of birds whose habitats have been altered by human intervention. Adopting the visual language of documents and scientific records, the works consider ecological imbalance as well as the violence embedded in observation, classification, and possession.&lt;/p&gt;</description></item></channel></rss>