<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Ceramics on Bardo</title><link>https://bardoberlin.com/tags/ceramics/</link><description>Recent content in Ceramics on Bardo</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://bardoberlin.com/tags/ceramics/index.xml" rel="self" type="application/rss+xml"/><item><title>Afterheat – When Earth Gives Back Light</title><link>https://bardoberlin.com/exhibitions/afterheat/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://bardoberlin.com/exhibitions/afterheat/</guid><description>&lt;p&gt;In the warmth that lingers after fire, matter finds new balance.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Afterheat – When Earth Gives Back Light&lt;/em&gt; explores how clay, once transformed by flame, returns energy as illumination. The exhibition brings together the ceramic practices of &lt;a href="https://bardoberlin.com/artists/pia-isaia/"&gt;Pia Isaia&lt;/a&gt;
 and &lt;a href="https://bardoberlin.com/artists/livia-de-magistris/"&gt;Livia De Magistris&lt;/a&gt;
 in a shared narrative of migration, transformation, and belonging. Their works form two complementary stories: Isaia represents arrival; De Magistris embodies the journey.&lt;/p&gt;
&lt;h2 id="pia-isaia-acts-of-permanence"&gt;Pia Isaia: Acts of Permanence&lt;/h2&gt;
&lt;p&gt;Isaia&amp;rsquo;s tripod lamps exist as acts of grounding. The third leg — solid and stable — becomes a trusted guide, allowing the form to stand after a long journey. Her glazed ceramic reflects time, while the light of recycled bulbs becomes living memory: a bridge between what was and what is still being built, between the past and a present searching for home. The search for stability is tangible, almost physical — a necessary weight that holds light and anchors it to the earth.&lt;/p&gt;</description></item></channel></rss>