https://bardoberlin.com/tags/archives/Recent content in Archives on BardoHugoen-UShttps://bardoberlin.com/exhibitions/archivum-naturae/Mon, 01 Jan 0001 00:00:00 +0000https://bardoberlin.com/exhibitions/archivum-naturae/<p><em>Archivum Naturae</em> brings together Ana Palacio and Andrea Nosetti in a reflection on the ways living organisms are transformed into archives, images, fragments, and reproducible structures.</p> <p>Nature appears here not as an untouched landscape, but as a territory shaped by displacement, technological mediation, extraction, and survival. Birds from southern Latin America and digitally reproduced insects become traces of ecosystems under pressure, suspended between preservation and disappearance.</p> <h2 id="two-approaches-to-the-natural-archive">Two approaches to the natural archive</h2> <p>In her series <em>YAJNA</em>, Ana Palacio works with images of birds whose habitats have been altered by human intervention. Adopting the visual language of documents and scientific records, the works consider ecological imbalance as well as the violence embedded in observation, classification, and possession.</p>https://bardoberlin.com/exhibitions/pinecene/Mon, 01 Jan 0001 00:00:00 +0000https://bardoberlin.com/exhibitions/pinecene/<p><em>PINECENE: In the Wake of a Plunder</em> (<em>PINOCENO: Tras el rastro de un despojo, desde Alemania al Sur</em>) traces the entanglements between colonialism, extractivism, and transnational histories through pine plantations in the southern territories of Argentina and Chile, in Wallmapu—the ancestral land of the Mapuche people.</p> <p>The pine appears as a living archive: both witness and intruder. Introduced as part of extractive economies, it reveals processes of land appropriation, monoculture, and the transformation of ecosystems into industrial infrastructures.</p>